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the nature of clay

tea ceremony bowls

preparing pottery for use

 

washing ceramics

microwaving

washing sake flasks & cups

warming sake

tenmoku pottery

raku pottery

shino pottery

 

ribbon tying instructions

the footring

chilling beer glasses

 

 

 

The Nature of Clay
 

It is important to know that pottery will gradually change color over time. This is both expected and appreciated in Japan and, in no way, means that the work is flawed. It is the nature of clay.

Seeing your favorite sake cup or tea ceremony bowl take on a different character over the years is a pleasure that only deepens the meaning of the piece.

A fine piece of pottery, when properly cared for, promises a lifetime of delight and discovery.


 

Oizumi Yohen Chawan

by Wada Hiroaki

Tea Ceremony Bowls

 

When a tea ceremony bowl (chawan) is used over many years, acids and other compounds from the green tea form a patina on the surface. At first glance, one might think that it appears dingy and not quite the same as when it was new. Over time, though, tea ceremony bowls will take on a beautiful sense of age and history.

The cracks in the glaze - formed naturally while cooling in the kiln - will deepen in color to make intricate mosaics; the patina will become a beautiful gradation of various colors, and a rich luster will appear over smooth areas.  In the same way that antique wood or old copper is considered beautiful in the West, the same can be said for the changing character of chawan.

Washing Tea Ceremony Bowls

Tea ceremony bowls are normally soaked in warm water before using them so that whipped green tea (matcha) doesn't sink in too quickly.  Such preparation isn't necessary for porcelain tea bowls or those with uniform overglazes such as celadon or tenmoku.

Afterwards, tea bowls are always rinsed with water, wiped clean with a cloth, and then left out to dry naturally.  They should never be washed with soap or cleaned in automatic dishwashers.
 

Preparing Pottery for Use

 

Tableware made of clay should first be boiled for 20 minutes and allowed to cool naturally. This will not only sterilize the item but also increase its resistance to heat. Place the item in a pan of water, bring to a boil over a low flame, and allow to cool to room temperature.


Washing Ceramics

 

We recommend washing all fine ceramics by hand with a soft sponge and as little dishwashing liquid as possible.  If you do use a dishwasher, please choose a mild detergent as some brands are quite abrasive and can gradually dull the surface of pottery & porcelain over years of use.

If not properly dried, the unglazed areas on pottery can develop mold. In such cases, soak the piece overnight in water and a cap-full of bleach.  Repeat if necessary.

 



Kyoyaki Green Tea Cup

(with gold detailing)

by Kotoura Kiln
 

Microwaving Ceramics

 

Although most ceramics can be used in microwave ovens, 2000 Cranes advises customers to first heat food in microwave-safe dishes whenever possible.

The works we sell are all formed, glazed, and fired by artists following centuries-old techniques. They were not intended for use in the microwave.

 

Pottery

 

Water and other liquids permeate works of clay much easier than those of porcelain. When exposed to microwaves, these liquids become super-heated, expanding then contracting rapidly. Repeated heating will weaken the integrity of pottery over time and make it more susceptible to damage.

 

Porcelain

 

Porcelain ware is more resistant than pottery to the heat stress created by microwaving. However, works with gold or silver detailing should never be used in microwave ovens.

Washing Sake Flasks & Cups

 

It is not uncommon in Japan to simply rinse sake flasks and cups with warm water after use. This is often sufficient to cut the sticky residue from leftover sake. On some occasions, though, it may be necessary to use a drop of mild detergent to wash out the inside.

After washing, turn the flask upside down and let it drain overnight. If not properly dried, the footring area can develop mold. In such cases, soak the flask overnight in water and a cap-full of bleach. Repeat if necessary.

Ash Glazed Sake Flasks

by Ikai Yuichi

 

Warming Sake

 

Sake has traditionally been served warm, although many types of sake today are served slightly chilled. When warming sake, it is important to remember that overheating it can destroy its flavor.

Sake is easily warmed by first placing a filled flask in a saucepan of water and then heating the water over a medium-low flame.

Generally, warm sake is best when served just above body temperature, about 100-104 degrees Fahrenheit (40 to 45 degrees Celsius).


  A Warning About Microwaving Sake

 

Vessels for sake come in a variety of sizes and forms. Flasks with thin necks or gourd shapes should not be used in the microwave. The high pressure that builds up within their narrow interiors during heating can cause boiling sake to erupt out of the flask.

Tenmoku Pottery

 

The iridescent quality of tenmoku pottery is the result of an overload of iron oxide in the glaze. Because microwaves cannot pass through easily, the surface of tenmoku works can heat up extremely fast without warming sake or green tea sufficiently.

2000 Cranes advises customers to avoid using pottery with high iron-content glazes in the microwave whenever possible.

Yuteki Tenmoku Sake Cup

by Kamada Koji

Raku Pottery

 

Raku bowls are fired in a process quite unlike other types of pottery.  They are quite delicate and naturally porous, so particular care should be taken when using them.

  • Raku bowls should be used solely for the preparation of matcha green tea.

  • Do not sterilize the bowl by boiling or washing with a chlorine detergent.

  • Raku bowls are traditionally wiped clean after use.  If you choose to wash the bowl, use a mild, chlorine-free detergent and a soft washcloth.  Do not wash in a washing machine.

  • Before using the bowl for the first time, soak in lukewarm water for one or two minutes. This will ensure that matcha does not infuse the porous glaze too quickly.

  • If the bowl has been stored for a long time, soak again before use.

  • Before storing the bowl in its presentation box (ki-bako), let dry for 4 to 7 days.

  • Raku bowls are made from a sandy clay which is quite lightweight and delicate.  They do not resonate like high-fired pottery and, thus, make a distinctive tok-tok sound when tapped on the side.

Kuro Raku-yaki
Tea Ceremony Bowl
by Sawada Hiroyuki

Shino Green Tea Cup

by Suzuki Tomio

Shino Pottery

 

Because of the porous nature of shino glazes, the color of the item will gradually change after repeated use. 

 

As green and black tea seeps in, the network of fine cracks in the glaze becomes more pronounced, eventually forming a darker gradation around the entire piece.  Sake, as well, will make the pink hues in shino deeper and more lustrous.

These changes are both expected and appreciated in Japan and do not mean that the work is flawed.  It is the nature of shino.

Ribbon Tying

 

Many of the works we sell at 2000 Cranes come with a wooden box, or ki-bako, custom-made for each piece.  The accompanying ribbon is tied in a butterfly knot called cho cho musubi.

This page will guide you through making cho cho musubi, a skill any serious pottery collector should master.
  Click here

Tetsusai Ash Glazed Dishes

by Ikai Yuichi

 

Hakuryu Ash Glazed Glasses

by Ikai Yuichi

The Footring

 

The footring on a piece of pottery is the best way to appreciate the quality, texture, and "flavor" of the clay that the piece is made from. It also serves as a good indication of the potter's forming skill.

Many of the works we sell at 2000 Cranes have rough, unglazed footri
ngs which can scratch table surfaces and stainless steel sink areas. It is advised not to use this kind of tableware without a serving tray or placemat underneath.

When stacking plates and bowls of this type, it is best to keep sh
eets of paper (any kind will do) between them to keep the footring from scratching the glaze on the dish below.
 

Chilling Beer Glasses

 

2000 Cranes recommends chilling beer glasses in the freezer first before using.  Pottery glasses tend to release carbon dioxide in beer more quickly than glass, thus giving beer a very foamy head.  This can be prevented if iced over first.

 

As with all fine ceramics, you should be careful not to expose glasses to sudden changes in temperature.

Yakishime Beer Glasses

by Hiroaki Wada
 

If you have any questions not addressed on this page, please contact 2000 Cranes.

 
 

 

 

 

 

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