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Shino pottery was first fired
during the Momoyama era (1568-1603) at kilns in Minō, and its
appearance marked a dramatic shift in the evolution of Japanese
ceramic art. Its uniquely textured surface of pinholes and crackles
attracted the eyes of tea ceremony practitioners who soon incorporated
shino-yaki into the evolving art of chanoyu.
To further enhance shino's tactile appeal, Suzuki Tomio approaches
every unglazed pot like a landscape architect would an undeveloped
plot of earth. It requires slow, thoughtful sculpting before anything
is planted - or glazed - upon it. As a result, his clay creations are
renowned for their terraced surfaces, ridges, and winding vistas.
This attractive shino vase is one example of Mr. Suzuki's masterful
forming. Deeply cut furrows create a rippled terrain that twists
upward and around at the waist. Iron underglaze brushwork peers from
beneath, guiding the eyes over rugged terrain in thoughtful
exploration.
The vase is tall enough to accommodate arrangements with long stemmed
flowers (yellow is highly recommended) and small branches. It makes
an ideal centerpiece for any large table.
See Suzuki Tomio's
Hanshin Gallery exhibition for more from his 2009 collection.
A wooden presentation box will be custom made to order and signed by
the artist. Delivery time for this item is 2 weeks.
special care instructions |
